The Pulitzer Prize (pronounced /ˈpʊlɨtsər/) is a U.S. award for achievements in newspaper journalism, literature and musical composition. It was established by Hungarian-American publisher Joseph Pulitzer and is administered by Columbia University in New York City.
A superb new drama written by John Patrick Shanley. It is an inspired study in moral uncertainty with the compellingly certain structure of an old-fashioned detective drama. Even as Doubt holds your conscious attention as an intelligently measured debate play, it sends off stealth charges that go deeper emotionally. One of the years ten best.Ben Brantley, The New York Times
[The] #1 show of the year. How splendid it feels to be trusted with such passionate, exquisite ambiguity unlike anything we have seen from this prolific playwright so far. Blunt yet subtle, manipulative but full of empathy for all sides, the play is set in 1964 but could not be more timely. Doubt is a lean, potent drama . . . passionate, exquisite, important, and engrossing.Linda Winer, Newsday
Chosen as the best play of the year by over 10 newspapers and magazines, Doubt is set in a Bronx Catholic school in 1964, where a strong-minded woman wrestles with conscience and uncertainty as she is faced with concerns about one of her male colleagues. This new play by John Patrick Shanleythe Bronx-born-and-bred playwright and Academy Award-winning author of Moonstruckdramatizes issues straight from todays headlines within a world re-created with knowing detail and a judicious eye. After a stunning, sold-out production at Manhattan Theatre Club, the play has transferred to Broadway.
John Patrick Shanley is the author of numerous plays, including Danny and the Deep Blue Sea, Dirty Story, Four Dogs and a Bone, Psychopathia Sexualis, Sailors Song, Savage in Limbo, and Wheres My Money?. He has written extensively for TV and film, and his credits include the teleplay for Live from Baghdad and screenplays for Congo, Alive, Five Corners, Joe Versus the Volcano (which he also directed), and Moonstruck, for which he won an Academy Award for original screenplay.
"An amazing story [told] with clarity and intelligence ... colorful and insightful."Martin Rubin, Los Angeles TimesWinner of the Pulitzer Prize for Biography
Louisa May Alcott is known universally. Yet during Louisa's youth, the famous Alcott was her father, Bronsonan eminent teacher and a friend of Emerson and Thoreau. He desired perfection, for the world and from his family. Louisa challenged him with her mercurial moods and yearnings for money and fame. The other prize she deeply covetedher father's understandingseemed hardest to win. This story of Bronson and Louisa's tense yet loving relationship adds dimensions to Louisa's life, her work, and the relationships of fathers and daughters.26 illustrations
Winner of the Pulitzer Prize, the 1999 National Book Award for Nonfiction, finalist for the Lionel Gelber Prize and the Kiriyama Pacific Rim Book Prize, Embracing Defeat is John W. Dower's brilliant examination of Japan in the immediate, shattering aftermath of World War II.Drawing on a vast range of Japanese sources and illustrated with dozens of astonishing documentary photographs, Embracing Defeat is the fullest and most important history of the more than six years of American occupation, which affected every level of Japanese society, often in ways neither side could anticipate. Dower, whom Stephen E. Ambrose has called "America's foremost historian of the Second World War in the Pacific," gives us the rich and turbulent interplay between West and East, the victor and the vanquished, in a way never before attempted, from top-level manipulations concerning the fate of Emperor Hirohito to the hopes and fears of men and women in every walk of life. Already regarded as the benchmark in its field, Embracing Defeat is a work of colossal scholarship and history of the very first order. John W. Dower is the Elting E. Morison Professor of History at the Massachusetts Institute of Technology. He is a winner of the National Book Critics Circle Award for War Without Mercy. 75 illustrations and map
Because the victors had no linguistic or cultural access to the losers' society, they were obliged to govern indirectly. Gen. Douglas MacArthur decided at the outset to maintain the civil bureaucracy and the institution of the emperor: democracy would be imposed from above in what the author terms "Neocolonial Revolution." His description of the manipulation of public opinion, as a wedge was driven between the discredited militarists and Emperor Hirohito, is especially fascinating. Tojo, on trial for his life, was requested to take responsibility for the war and deflect it from the emperor; he did, and was hanged. Dower's analysis of popular Japanese culture of the period--songs, magazines, advertising, even jokes--is brilliant, and reflected in the book's 80 well-chosen photographs. With the same masterful control of voluminous material and clear writing that he gave us in War Without Mercy, the author paints a vivid picture of a society in extremis and reconstructs the extraordinary period during which America molded a traumatized country into a free-market democracy and bulwark against resurgent world communism. --John Stevenson
Adapted by author Richard Russo from his 2001 Pulitzer Prize winning novel, EMPIRE FALLS is a portrait of the gritty drama and human comedy that make up everyday life in blue-collar America. On a daily basis, goodhearted restaurant manager Miles Roby (Ed Harris "Glengarry Glen Ross") tries to keep his Empire Grill going, even as the wealthy and powerful Mrs. Whiting(Joanne Woodward "Philadelphia"), makes life difficult for him. If that wasn't enough, Miles has to keep tabs on his scoundrel of a dad, Max (Paul Newman "The Color of Money") who is always looking for trouble. But, Miles has something much bigger than just restaurant receipts and a cantankerous father on his mind-he can't shake the ghosts of his past that keep his fate inevitably connected to Empire Falls.]]>
The goal of Russo and director Fred Schepisi seems to have been fidelity to the novel, which gives the film a pleasingly relaxed pace but also a somewhat literal-minded binding. Even that doesn't explain the general lack of tautness, or why so much of the dialogue has an awkward fit in actors' mouths. Harris and Newman, of course, are younger and older versions of American monuments, and their sheer presence goes a long way toward making the picture work (for the premium Newman-Russo match, see Robert Benton's sublime film of Nobody's Fool). Most of the twists in the final reels are genuinely affecting, and the movie has the courage to end on a mild note rather than strain to tie everything up. It's a fitting finale for an unassuming enterprise. --Robert Horton
Soon to be a Major Motion Picture starring Denzel Washington and Viola Davis
Winner of the Pulitzer Prize for Drama and the Tony Award for Best Play
"In his work, Mr. Wilson depicted the struggles of black Americans with uncommon lyrical richness, theatrical density and emotional heft, in plays that give vivid voices to people on the frayed margins of life."The New York Times
From August Wilson, author of The Piano Lesson and the 1984-85 Broadway season's best play, Ma Rainey's Black Bottom, is another powerful, stunning dramatic work that has won him numerous critical acclaim including the 1987 Tony Award for Best Play and the Pulitzer Prize. The protagonist of Fences (part of Wilsons ten-part Pittsburgh Cycle plays), Troy Maxson, is a strong man, a hard man. He has had to be to survive. Troy Maxson has gone through life in an America where to be proud and black is to face pressures that could crush a man, body and soul. But the 1950s are yielding to the new spirit of liberation in the 1960s, a spirit that is changing the world Troy Maxson has learned to deal with the only way he can, a spirit that is making him a stranger, angry and afraid, in a world he never knew and to a wife and son he understands less and less.
Since its founding in 1922, Foreign Affairs has been the leading forum for serious discussion of international affairs. Experts from across the political spectrum offer timely and incisive analysis on the most crucial issues affecting foreign policy and the global economy.
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Ellis focuses on six crucial moments in the life of the new nation, including a secret dinner at which the seat of the nation's capital was determined--in exchange for support of Hamilton's financial plan; Washington's precedent-setting Farewell Address; and the Hamilton and Burr duel. Most interesting, perhaps, is the debate (still dividing scholars today) over the meaning of the Revolution. In a fascinating chapter on the renewed friendship between John Adams and Thomas Jefferson at the end of their lives, Ellis points out the fundamental differences between the Republicans, who saw the Revolution as a liberating act and hold the Declaration of Independence most sacred, and the Federalists, who saw the revolution as a step in the building of American nationhood and hold the Constitution most dear. Throughout the text, Ellis explains the personal, face-to-face nature of early American politics--and notes that the members of the revolutionary generation were conscious of the fact that they were establishing precedents on which future generations would rely.
In Founding Brothers, Ellis (whose American Sphinx won the National Book Award for nonfiction in 1997) has written an elegant and engaging narrative, sure to become a classic. Highly recommended. --Sunny Delaney
While Gotham is fact-laden (with a critical apparatus that includes a bibliography and two indices--one for names, another for subjects), the prose admirably achieves both clarity and style. "What is our take, our angle, our schtick?" ask the authors, setting a distinctly New York tone in their introduction. No matter what it's called, their method of weaving together countless stories works wonderfully. The startlingly detailed research and lively writing bring innumerable characters (from Peter Minuit to Boss Tweed) to life, and even those who think they know the history of New York City will no doubt find surprises on nearly every page. Gotham is a rarity, reigning as both authoritative history and page-turning story. --Robert McNamara